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    'Signals' | Performance Installation at The Royal Society of Sculptors, 2018. Photo-Credit: Jylle Navarro.
    Ephemeral Hieroglyph, 2021
    Experimental Form | 2019
    Möbius Form, London, December 2020.
    Flying, Pitzhanger Manor, 2019.
    Abstract Form VIII, Slade School of Fine Art, 2019.
    'Alien Creature (after Hieronymous Bosch)', Royal Academy of Arts, 2018. Photo Credit: Jess Baxter.
    Abstract Form XII | July 2020
    Insect | 2018
    From the Earth, 2018
    JJ Delvine | Oil on linen | 2019
    Abstract Form VI | HSoA, 2018
    NG Lecture, September 2019.
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    Suncape | Phoenix Studios, 2019.
    Abstract Form, Royal Academy of Arts, 2018.
    Untitled, CA Drawing 2019.
    Untitled, Untitled (Blake, Grignani) | Estorick Collection, 2019.
    Abstract Form VII | 2019.
    Abstract Form IV, C&G Art School, 2019.
    'No Pasarán' | Kindred Studios, 2018. Photo-Credit: Diane Milner
    'Centre of Gravity' | Richmond Art School, 2018.
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    Hieroglyph, 2019
    'After Titian' | RA, 2019.
    'Reaching for the Sky' | Royal Academy of Arts, 2018. Photo Credit: Jess Baxter.
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    'Seated Pose' | The Mary Ward Centre | 2019. Photo Credit: Theo Kryton.
    Lizard, 2018
    ‘Möbius strip II’ (after Escher) | Richmond Art School | March 2019.
    RA Style, Royal Academy of Arts, 2019.
    'Sundial' | June 2019.
    'Angular Pose 3' | HSOA Sculpture Studio, 2018. Photo Credit: Tanja Hassel.
    Experimental Form | An alternate version of a form I experimented with throughout 2019 and which I inhabited within an event I co-curated with London Drawing sharing the same title (adopted from my work that summer).
    Royal Academy of Arts | 2017.
    Angular Form, C&G Art School, 2019.
    Royal Academy of Arts, 2018. Photo Credit: Jess Baxter.
    'Sculptural Solace' | Henry Moore Sculpture Studio, Morley College, 2019.
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    Abstract Form, Royal Academy of Arts, 2017
    Shadow-plane, 2019.
    'Nature' | 2015
    Angular Form, 2017.
    Gallerie Thaddaeus Ropac | 2019. Kneeling in front of my favourite Rauschenberg collage: 'Palladian Xmas Spread' (1980). Photo Credit, the kind Gallery Assistant in the gallery, I didn't catch his name.
    Untitled Exploration, Pitzhanger Manor, 2019.
    Still Life, London, 2018.
    Recreating Géricault's 'The Raft of the Medusa', within George Levantis exciting Life Drawing class at Heatherley's, 2017. Photo Credit: George Levantis.
    At Pitzghanger Manor, 2019.
    'Unnecessary Complication' | Royal College of Art, 2019.
    Untitled | Interpretation of 'Red to Blue' (Anish Kapoor, 2016), Pitzhanger Manor, 2019.