I use my body as my medium to draw in space. The ephemeral, hieroglyphic forms I create emerge spontaneously in solitude and in collaboration with other artists. They are direct emotional responses to the environments I am located within, the people I share them with, internal dialogues and to my body itself. This is the language I use to convey my deepest emotions. Captured photographically, they transform into permanent records of time and space. Committed in monumental form to papyrus, new perceptual dimensions emerge. I am excited to announce the first solo exhibition of my work: 'Ephemeral Hieroglyph' at HSoA Gallery, London in Autumn 2021. This exhibition follows work I undertook with @estorickcollection and @pitzhanger in 2019 and will be staged prior to installations I will create at galleries in the UK/US in 2022. © Dominic Blake 2016-2021
'Are Life Models Artists?', book, due for publication Summer 2023 (details to follow soon).
'Trees of Eternity', book, due for publication September 2022 by KScope Music.
'Are Life Models Artists (or Mercenary Drawing Instruments?): An Experiential Analysis', lecture, University of Kent, May 2022.
Travelling the Great Circle, book, published January 2022 by KScope Music and available via Rough Trade Books & Barnes and Noble (in the US).
Royal College of Art: 'Are Life Models Artists (or mercenary drawing instruments?)', lecture, 2020/21 >> 23.02.22.
Aesthetica Magazine: Contributing writer, August 2021.
The National Gallery: 'Are Life Models Artists?', lecture, 2019.
Mall Galleries: 'Are Life Models Artists?', lecture, 2019.
'Photographic performance art in the digital age', article featuring in the summer 2021 edition of Los Angeles based Art for All Magazine.
Royal Academy of Arts Staff Summer Group Show, 2019.
Pitzhanger Manor: Performance installation in response to Anish Kapoor's Red to Blue series, 2019.
Royal College of Art: Performance installation - Interpretation of untitled Henry Moore sculpture, 2019.
The Royal Society of Sculptors: 'Signals' Performance Installation, 2018.