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    'Signals' | Performance Installation at The Royal Society of Sculptors, 2018. Photo-Credit: Jylle Navarro.
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    Experimental Form | 2019
    Möbius Form, London, December 2020.
    Space-Lines, Pitzhanger Manor, 2019.
    Abstract Form VIII, Slade School of Fine Art, 2019.
    Untitled, Untitled (Blake, Grignani) | Estorick Collection, 2019.
    Untitled | Interpretation of 'Red to Blue' (Anish Kapoor, 2016), Pitzhanger Manor, 2019.
    Insect | 2018
    'Alien Creature (after Hieronymous Bosch)', Royal Academy of Arts, 2018. Photo Credit: Jess Baxter.
    From the Earth, 2018
    NG Lecture, September 2019.
    Abstract Form VI | HSoA, 2018
    Abstract Form XII | July 2020
    Suncape | Phoenix Studios, 2019.
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    Untitled Exploration, Pitzhanger Manor, 2019.
    'Reaching for the Sky' | Royal Academy of Arts, 2018. Photo Credit: Jess Baxter.
    Abstract Form, Royal Academy of Arts, 2018.
    Gallerie Thaddaeus Ropac | 2019. Kneeling in front of my favourite Rauschenberg collage: 'Palladian Xmas Spread' (1980). Photo Credit, the kind Gallery Assistant in the gallery, I didn't catch his name.
    Abstract Form VII | 2019.
    Untitled, RCA Drawing 2019.
    Abstract Form IV, C&G Art School, 2019.
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    'Seated Pose' | The Mary Ward Centre | 2019. Photo Credit: Theo Kryton.
    RA Style, Royal Academy of Arts, 2019.
    Still Life, London, 2018.
    'Angular Pose 3' | HSOA Sculpture Studio, 2018. Photo Credit: Tanja Hassel.
    'Sundial' | June 2019.
    Experimental Form | An alternate version of a form I experimented with throughout 2019 and which I inhabited within an event I co-curated with London Drawing sharing the same title (adopted from my work that summer).
    Royal Academy of Arts | 2017.
    'Sculptural Solace' | Henry Moore Sculpture Studio, Morley College, 2019.
    Royal Academy of Arts, 2018. Photo Credit: Jess Baxter.
    At Pitzghanger Manor, 2019.
    'Knot: Compact Pose (4)' | Royal Academy, 2018.
    At Pitzhanger Manor, 2019.
    Out of gallery